563 Free Images of Albumen Silver Prints From Glass Negative

albumen silver print from glass negative department of photographs, metropolitan museum of art metropolitan museum of art albumen prints in the metropolitan museum of art experiments in physiology. facial expressions w. bruce and delaney h. lundberg gift adrien alban tournachon gilman collection gift of the howard gilman foundation philip henry delamotte

Demi-Monde I 56, André-Adolphe-Eugène Disdéri, 1858–68

department of photographs, metropolitan museum of art photographs by andré adolphe eugène disdéri

[Statue of a Horse; Roman Court, Portrait Busts of Emperors; Doorway of Roman Court, Flanked by Portrait Bust of Nero; Greek Court of Philosophers, Statesmen, and Generals], Philip Henry Delamotte, circa 1859

department of photographs, metropolitan museum of art philip henry delamotte

Demi-Monde I 56, André-Adolphe-Eugène Disdéri, 1858–68

department of photographs, metropolitan museum of art photographs by andré adolphe eugène disdéri

Samuel F. B. Morse, Samuel Finley Breese Morse, circa 1870

department of photographs, metropolitan museum of art samuel finley breese morse

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 71: Same head as in Plate 70, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 45: Pain and despair., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 47: A suggestion of this same weeping, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 20: Profound suffering, with resignation, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 73: Head of Niobe, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 83: Lady Macbeth, ferocious cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 3: The face of an old man... photographed in repose., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 22: No painful expression, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 52: Voluntary retraction of the lower lip, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 4: The face in repose of a young man, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 54: Voluntary lowering of the lower jaw, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 36: Scornful laughter and scornful disgust, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 81: Lady Macbeth, moderate expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 78: Scene of coquetry, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 16: Expression of severity, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 50: Affected weeping and face in repose, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 25: Not an expression of pain, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 63: Expression of terror, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 9: A study of m. frontalis in maximum contraction, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 26: Expression of painful attention and attention, attentive gaze., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 57: Astonishment, stupefaction, amazement, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 82: Lady Macbeth, strong expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 15: Mediation, mental concentration, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 27: Expression proportionally more pained, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 53: Whimpering and false laughter, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 49: Painful weeping and forward looking., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 75: Nun saying her prayers, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 8: Contraction of the right m. frontalis., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

[Sculpture Court Flanked by Torso of Marsyas and Sacrificial Altar; Sculpture Court with Bust of Caracalla; Greek Court with Sculptures of Mercury, Faun, and Ariadne; Roman Court with Three Sculptures of Venus], Philip Henry Delamotte, circa 1859

department of photographs, metropolitan museum of art philip henry delamotte

[Egyptian Court, Eastern Wall of Principal Court; Egyptian Court, Principal Facade towards the Nave; Lions in the Egyptian Court; [Colonnade Adorned with Egyptian Paintings], Philip Henry Delamotte, circa 1859

department of photographs, metropolitan museum of art philip henry delamotte

Figure 19: Suffering, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 21: Painful recollection and recollection or calling something to mind, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 6: The grimice produced is similar to a tic of the face, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 48: Mild weeping, pity and feeble false laughter, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 10: Showing the expressive lines of m. frontalis in a young girl, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Assassination of Generals Clément Tomas and Jules Lecomte, rue des Rosiers 6 in Montmartre during the day of March 18, 1871, Eugène Appert, 1870–71

department of photographs, metropolitan museum of art photomontages by eugène appert

Figure 34: Grimace, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Massacre of the Dominicans of Arcueil, Route d'Italie no. 38, May 25, 1871, at 4:30 a.m., Eugène Appert, 1870–71

department of photographs, metropolitan museum of art photomontages by eugène appert

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Vittorio Emanuele II, Cesare Bernieri, 1867

department of photographs, metropolitan museum of art cesare bernieri

[Variations on the "Elvira" Dress], 1861–67

photographs by pierre louis pierson in the metropolitan museum of art department of photographs, metropolitan museum of art

[Variations on the "Elvira" and "Ritrosetta" Dresses], 1861–67

photographs by pierre louis pierson in the metropolitan museum of art department of photographs, metropolitan museum of art

Philippe Chaperon by Atelier Nadar, Philippe Chaperon, published 1900

adam cuerden's restorations philippe chaperon

Philippe Chaperon by Atelier Nadar - Original, Philippe Chaperon, Published 1900

philippe chaperon atelier nadar

Assassination of Generals Clément-Thomas and Lecomte, rue des Rosiers 6 in Montmartre on the day of March 18, 1871, Eugène Appert

photomontages by eugène appert claude lecomte

Gustave Le Gray-The Great Wave, Gustave Le Gray, 1857

la grande vague, sète 1857 in sète

[Assyrian Court, Facade Towards the Nave; Elevated View of Assyrian Court; Greek and Roman Sculpture Court; The Three Graces], Philip Henry Delamotte, circa 1859

department of photographs, metropolitan museum of art philip henry delamotte

Soldier and Military Camel, Gustave Le Gray, 1866

photographs by gustave le gray in the metropolitan museum of art photographs in the metropolitan museum of art

Soldier and Military Camel, Gustave Le Gray, 1866

photographs by gustave le gray in the metropolitan museum of art photographs in the metropolitan museum of art

Aivazovsky Met photo with oil painting, Ivan Aivazovsky, 1893

ivan aivazovsky romanticism

Atelier d'Emmanuel Frémiet, PHDUT39(2), Emmanuel Frémiet, between 1880 and 1900

collections of the musée des beaux-arts de la ville de paris edmond bénard

William Bouguereau dans son atelier à Paris, avec un modèle prenant la pose, PHDUT30, William-Adolphe Bouguereau, Entre 1880 et 1900

collections of the musée des beaux-arts de la ville de paris academic art,pont-aven school

Atelier de José Frappa, PHDUT20(2), José Frappa, between 1880 and 1900

collections of the musée des beaux-arts de la ville de paris josé frappa

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